The project located at 54 - 60 Cuba St consists of two existing masonry buildings next to each which were constructed in the late 19th century. It is one of the most prominent, vibrant streets in the inner Wellington.
The southern building, once owned by T.G. Macarthy, has been left almost completely vacant for a number of years. It is a three story late Victorian commercial building, recognized for its carefully proportioned classical façade and its unusual “lozenge” shaped footprint, classed as a Category 2 Historic Place.
The northern building is also a three story building, also left vacant with a slightly more modest façade, but of a similar footprint and proportion.
The Client, sensitive and aware of the context of the buildings and their heritage values has proposed a sensitive degree of change.
One of the first drives for the design in this case were – contrast and diversity, to interprete the dynamic of the inner city life and its rhythm through the fabric of an existing building.
The project consists of two stages. The first is the adaptive reuse of the existing building fabric, and the second is a potential future development involving the addition of two stories above the existing footprint.
The first stage; the adaptive reuse is a meticulous restoration and structural (earthquake) strengthening of the existing building fabric. Contrasting the heritage fabric of the street facade, the office levels have been transformed into modern, functional open plan work spaces. New services, ceilings, and a connecting stairwell to all levels have been added. The restoration of the vacant upper two stories have ensured a positive contribution to the preservation of Wellington’s character.
The second stage; potential future residential development is proposed above the existing building. This will encourage vertical zoning in the inner city and the rejuvenation of heritage buildings.
Community project for the rebuild plan of the suburb badly damaged y the series of earthquake in 2011
Sustainable house design competition in Galapagos Island, Ecuador
The main design drivers behind the project has been combining a solid street frontage (The Wall) with a fragmented North face that opens to the sun and the view, as well as creating a energy efficient and naturally heated and cooled internal environment with 3x the required insulation.
This residential home resides atop Mt Pleasant in Christchurch, New Zealand overlooking the natural landscape of the mountain and the waters of the Estuary. Designed to the landscape and surrounding environment, the building’s form stands honestly with purpose.
We at MC Architecture Studio, began the design process with an understanding of the surrounding environments impact on the building and vice versa. The Wall House has been formed to address, and exist alongside, its exterior world. Its fragmented northern façade splits open for maximum sun contact, while protecting a sheltered outdoor living area from the prevailing winds. The shape creates two alternative wings, one reaching out to the North Eastern corner of the site, while the other leans to the North West directing out towards the view.
A key factor in the internal layout of the building was to create two separate living quarters for differing experiences and times of day. The upper story living in the eastern wing opens itself up to the surrounding environment and all its beauty, overlooking the bay through the natural vegetation of the mountain, whereas when a more private sense of living is required you must simply follow the stairs below to the lower living area, a place of privacy and enclosed comfort.
“The experience in the journey from the street to the home’s interior is celebrated”. From the street the visitor stands with curiosity and wonder, as an “outsider” to the home, someone to not yet be trusted. The street facing wall cloaks the home in its entirety as well as the view beyond acting as a form of protection to the residents within.
Upon closer approach, the wall tears itself open with a small split, offering the visitor a point of entry into the transitional space between the two atmospheres of interior and exterior. Following the path of concrete steps and boardwalk the visitor descends into the entrance courtyard just beyond the wall’s opening. This tightly confined space narrowly surrounded by tall white concrete walls, enforces an equal sense of protection as well as fear of being defenseless. Now locked in a transitional space between the external world and the interior of the home, the visitor feels vulnerable. As the white walls fade into the background, his direction of sight is drawn towards the black tiled door that stands alone at the end of the path. Though this space offers no external connection to what lies beyond the walls, a simple and inviting gesture of natural life comes from the soft and organically molded timber door handle.
Once being welcomed inside through the tiled doorway, you leave the confining four walls where external sight is lost, and are greeted into the home by the outstanding view of the bay and surrounding natural landscape. The home now offers up all its previously kept secrets and gifts the visitor with a sense of protection.
Overall the completed home is one of curiosity and protection from the outside, while focused on comfort, environment and sense of security from within.
